\n\n**Who is behind kleio?**\n**kleio** was created by cultural practitioners for cultural practitioners – more precisely, by an interdisciplinary team of artists, designers, developers, and thinkers, organized as the non-profit association **kleioforum**. Their collaboration is rooted in a content-driven, culture-promoting, and charitable approach. The goal is to help cultural practitioners organize, present, and, if desired, showcase their work in a simple, fast, and sustainable professional way.\n\n**kleio** makes it possible to present yourself professionally with simple tools – independently and self-determined.\n\u003Cbr/>\n\n**What does the non-profit association kleioforum aim to achieve?**\nThrough the development of **kleio**, the association **kleioforum** advocates for strengthening culture. It enables all cultural practitioners – individuals as well as institutions – to take part in digital transformation, professionalize their work, gain visibility, and establish a lasting presence in the digital sphere.\n\n**The cultural work of today is the cultural heritage of tomorrow.**\nThe aim is to preserve our cultural heritage today as a living memory and make it accessible for future generations.\n\u003Cbr/>\n\n**What can kleio do?**\nWith a **kleio** account, users can professionally document their projects and use them in targeted ways – for example, to build a catalogue of works, set up a website, export a portfolio, connect a community, create a search portal, launch a research platform, and much more.\n\nData can be managed internally or published in public areas – optionally password-protected. Users decide for themselves whether to use kleio exclusively internally or make their content selectively visible.\n\nUntil now, creating and distributing documentation was time-consuming and tedious. With **kleio**, documentation becomes simple, and personal content can be made quickly and purposefully accessible.\n\nAt its core, kleio is a modular database tailored to cultural needs. All content can be retrieved through specific search and filter functions, used in targeted ways, and shared flexibly.\n\u003Cbr/>\n\n**Who uses kleio?**\n**kleio** is aimed at individuals and institutions in the fields of art, design, and culture. At all users who want to manage projects, objects, or profiles internally or make them publicly available. **kleio** is a database and data management tool for professional, efficient, and sustainable documentation and presentation.\n\u003Cbr/>\n\n**How did kleio come about?**\nThe **kleio** application was initiated in 2006 by the artist Anina Schenker – driven by the desire to create a tool that meets the administrative and documentary needs of the cultural sector: efficient, sustainable, and user-friendly.\n\u003Cbr/>\n\n**Who is kleio?**\nIn Greek mythology, Kleio is the muse of history. Our aim is to safeguard the past, the present, and the future – in order to be able to write history.\n\u003Cbr/>\n\n**Why kleio instead of an individual solution?**\n**kleio** is an open, accessible, and user-friendly system. All users always have access to all features, applications, and further developments for individual use. kleio is tailored to the needs of cultural practitioners seeking simple solutions. At the same time, its countless features allow for highly complex applications – without isolating oneself from digital transformation through an individual solution.\n\nThis way, users can (visibly or invisibly) integrate each other into their mutually compatible kleio systems, participate, or collaborate – for example, by setting up a password-protected research portal or building a public search platform. Another key aspect is that all updates and system maintenance are continuously handled by kleio.\n\u003Cbr/>\n\n**What does the association kleioforum mean by sustainable documentation?**\nWith **kleio**, a project or profile can be recorded simply, quickly, and professionally as a dataset. This dataset can be published in multiple formats as often as desired. A dataset that has been shared or published – whether in a digital exhibition, a community, or on a website – updates automatically with every revision. This means information is always up to date everywhere, without any extra effort.\n\n**kleio** is a 6th-generation graph database (see [Security & Technology](https://userguide.kleio.com/security-and-technology)) and works with dynamic and local server structures.\n\u003Cbr/>\n\n**How does the association kleioforum promote digital transformation with its tool?**\nFor digital transformation (the digitization of cultural heritage), content is securely structured, and documentation is made accessible for artistic, scientific, and societal engagement. Selected content (from different accounts) can be linked at the push of a button, and other data systems can be connected via an interface. This makes a collective documentation of cultural production possible. **kleio** is aligned with the principles of the Federal Office of Culture’s [cultural policy framework](https://www.bak.admin.ch/bak/de/home/themen/kulturbotschaft.html).","**Was ist kleio?**\n**kleio** ist eine Toolbox welche bei der Dokumentation, Präsentation, Kommunikation und Kollaboration unterstützt.\n\nMotto ist: Angaben einmal eintragen und ein Leben lang für 1000 verschiedene Anforderungen nutzen können.\n\nOb als internes digitales Archiv, als Werkzeug oder zur Erstellung einer Website - kleio bietet alle Optionen in einem Tool. Alle Informationen, Dokumente sowie Bilder in Originalqualität, an einem Ort gespeichert und von überall zugänglich. Dank der strukturierten Erfassung können Inhalte einfach kontextualisiert, durchsucht, gefiltert oder individuell zusammengestellt werden.\n\n**kleio ermöglicht**:\n- ein internes Werkverzeichnis\n- eine persönliche Homepage\n- PDF Exporte im Listen, Factseet oder Präsentationslayout\n- Inhalte und Dateien passwortgeschützt teilen\n- andere zu deiner Community einladen oder eingeladen werden\n- und vieles mehr ...\n\u003Cbr/>\n\n**Wer steht hinter kleio?**\n**kleio wurde *von Kulturschaffenden für Kulturschaffende* entwickelt** – genauer gesagt von einem interdisziplinären Team aus Künstler:innen, Designer:innen, Entwickler:innen und Denker:innen, zusammengefasst als Verein **kleioforum**. Ihre Zusammenarbeit basiert auf einem inhaltlichen, kulturfördernden und gemeinnützigen Ansatz. Ziel ist es, Kulturschaffende dabei zu unterstützen, ihre Arbeit einfach, schnell und nachhaltig professionell zu organisieren, zu präsentieren und wahlweise sichtbar zu machen.\n\n**kleio** ermöglicht es, **selbstbestimmt und unabhängig mit einfachen Mitteln professionell aufzutreten.**\n\u003Cbr/>\n\n**Was will der gemeinnützige Verein *kleioforum* bewirken?**\nMit der Entwicklung von **kleio** setzt sich der Verein **kleioforum** für die Stärkung der Kultur ein. Er ermöglicht es allen Kulturschaffenden – ob Einzelpersonen oder Institutionen – an der digitalen Transformation teilzuhaben, sich zu professionalisieren, sichtbar zu werden und sich nachhaltig in den digitalen Raum einzuschreiben. \n\n**Das Kulturschaffen von heute ist das Kulturerbe von morgen.** Ziel ist es, unser Kulturerbe schon heute als lebendiges Gedächtnis zu bewahren und für kommende Generationen zugänglich zu machen.\n\u003Cbr/>\n\n**Was kann kleio?**\nMit einem kleio-Account können User:innen ihre Projekte professionell dokumentieren und gezielt einsetzen – zum Beispiel ein Werkverzeichnis aufbauen, eine Website einrichten, ein Portfolio exportieren, eine Community vernetzen, ein Suchportal erstellen, eine Forschungsplattform lancieren und vieles mehr.\n\nDaten lassen sich intern verwalten oder – wahlweise passwortgeschützt – in öffentlichen Bereichen publizieren. Dabei entscheiden die User:innen selbst, ob sie **kleio** ausschliesslich intern nutzen oder ihre Inhalte gezielt sichtbar machen möchten.\n\nBislang war das Erstellen und Verbreiten von Dokumentationen aufwendig und mühsam. Mit **kleio** wird das Dokumentieren einfach, und eigene Inhalte können gezielt und schnell zugänglich gemacht werden.\n\n**kleio** ist im Kern eine individuell modulare Datenbank, die sich an kulturrelevanten Bedürfnissen orientiert. Alle Inhalte lassen sich über spezifische Such- und Filterfunktionen abrufen, gezielt einsetzen und flexibel teilen.\n\u003Cbr/>\n\n**Wer nutzt kleio?**\n**kleio** richtet sich an Personen und Institutionen in den Bereichen Kunst, Design und Kultur. An alle User:innen die Projekte, Objekte oder nur Profile intern verwalten oder öffentlich zugänglich machen möchten. kleio ist eine Datenbank und ein Datenmanagementtool zur professionellen, effizienten und nachhaltigen Dokumentation und Präsentation.\n\u003Cbr/>\n\n**Wie kam es zu kleio?**\nDie Applikation **kleio** wurde 2006 von der Künstlerin Anina Schenker initiiert – aus dem Wunsch heraus, ein Werkzeug zu schaffen, dass den administrativen und dokumentarischen Anforderungen im Kulturbereich gerecht wird: effizient, nachhaltig und benutzer:innenfreundlich.\n\u003Cbr/>\n\n**Wer ist kleio?**\n**kleio** ist in der griechischen Mythologie die Göttin der Geschichtsschreibung. Wir wollen das Gestern, das Heute und das Morgen sichern, um damit Geschichte schreiben zu können.\n\u003Cbr/>\n\n**Warum kleio anstelle einer individuellen Lösung?**\n**kleio** ist ein offenes und für alle zugängliches sowie userfreundliches System. Allen User:innen stehen immer alle Funktionen und Anwendungen sowie alle Weiterentwicklungen zur individuellen Nutzung zur Verfügung. kleio orientiert sich an den Bedürfnissen von Kulturschaffenden, die einfache Lösungen wollen. Trotzdem können mit den unzähligen Funktionen auch hoch komplexe Anwendungen erarbeitet werden, ohne sich durch eine individuelle Lösung von der digitalen Transformation zu isolieren. Somit können sich User:innen gegenseitig (sichtbar oder unsichtbar) in ihr untereinander kompatibles kleio-System einbinden, teilnehmen lassen oder kollaborieren, wie z.B. ein passwortgeschütztes Forschungsportal einrichten oder eine öffentliche Suchplattform aufbauen. Dazu kommt auch der Aspekt, dass fortlaufend alle kleio Weiterentwicklungen und Systemwartung von kleio getragen werden.\n\u003Cbr/>\n\n**Was versteht der Verein kleioforum unter nachhaltiger Dokumentation?**\nMit **kleio** kann ein Projekt oder ein Profil einfach, schnell und professionell als Datensatz erfasst werden. Dieser Datensatz kann in unterschiedlichen Formaten beliebig oft ausgespielt werden. Ein Datensatz der geteilt oder veröffentlicht wurde, sei das in einer digitalen Ausstellung, einer Community oder auf einer Webseite, aktualisiert sich bei jeder Überarbeitung automatisch. Das heisst Informationen sind immer und überall ohne zusätzlichen Aufwand auf dem neuesten Stand. kleio ist eine Graphdatenbank in der 6. Generation ([siehe Sicherheit & Technik](https://userguide.kleio.com/sicherheit-technik)) und arbeitet mit dynamischen und lokalen Serverstrukturen.\n\u003Cbr/>\n\n**Wie fördert der Verein kleioforum mit seinem Tool die digitale Transformation?**\nFür die digitale Transformation (die Digitalisierung des kulturellen Erbes) werden Inhalte strukturiert gesichert und Dokumentationen für die künstlerische, wissenschaftliche und gesellschaftliche Auseinandersetzungen zugänglich gemacht. Ausgewählte Inhalte (aus verschiedenen Accounts) können auf Knopfdruck miteinander in Beziehung gesetzt, sowie andere Datensysteme über eine Schnittstelle angebunden werden. Eine kollektive Dokumentation des kulturellen Schaffens wird möglich. kleio orientiert sich an den Grundlagen der [Kulturbotschaft](https://www.bak.admin.ch/bak/de/home/themen/kulturbotschaft.html) des BAK.",{"@id":284,"@score":286,"@type":287,"kleio:cover_asset":298,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":299,"kleio:user_record_id":301,"kleioapi:in_set":302,"kleioapi:in_space":303,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":64,"kleioapi:owner_default_space__label__de":64,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":282,"rdfs:label__de":281,"rdfs:label__en":282,"schema:description":304,"schema:description__de":305,"schema:description__en":304,"threems:relatesTo":287},"kleio:asset_78217e50-15ae-4289-9900-8d9cea930ca6",[300],"kleio:tag_type_actor",281,[216],[25],"Behind the kleio tool is a team of culture-loving artists, designers, developers, and thinkers.\nThis is where digital expertise meets cultural passion.","Hinter dem Tool kleio steht ein Team aus kulturbegeisterten Künstler:innen, Designer:innen, Entwickler:innen und Denker:innen.\nHier trifft digitale Expertise auf kulturelle Leidenschaft.",{"@id":260,"@score":286,"@type":287,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":307,"kleio:user_record_id":308,"kleioapi:in_set":309,"kleioapi:in_space":310,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":64,"kleioapi:owner_default_space__label__de":64,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":258,"rdfs:label__de":257,"rdfs:label__en":258,"schema:description":311,"schema:description__de":312,"schema:description__en":311,"threems:relatesTo":287},[300],282,[218],[25],"The expert committee brings together personalities from the cultural and creative industries. It advises the association on the content of the digital transformation in culture, on projects and on the further development of kleio. \n\n\n**Diana Alvarez-Marin**\nDigitalstrategin, Senior Geospatial Risk Expert Swiss Re\n\n**Eva Pauline Bossow**\nHead of Transfer, Zurich Centre for Creative Economies\n\n**Jacqueline Burckhardt**\nArt historian\n\n**Aldo Caviezel**\nHead of the Office for Culture, KBK-CDAC\n\n**Maud Châtelet**\nArtist, digital strategist\n\n**Bice Curiger**\nArt historian, Artistic Director of the Fondation Vincent Van Gogh Arles\n\n**Dimitri De Perrot**\nMusician, sound artist, entrepreneur, theater director\n\n**Bärbel Küster**\nArt historian, Institute of Art History, Chair of Modern and Contemporary Art, University of Zurich\n\n**Christoph Elias Meier**\nSchreib-Service, Think Tank\n\n**Daniel Morgenthaler**\nCurator, freelance writer\n\n**Mia Odermatt**\nCultural entrepreneur and curator\n\n**Raphael Rossel**\nde-lay GmbH, Managing Director of the Ikea Foundation Switzerland and former member of the management board of the Swiss Design Award\n\n**Antonio Scarpino**\nArchitect, designer, co-director of ZHdK CAS “Knowing Spaces” and entrepreneur, Conceptual Devices\n\n**Martin Schick**\nKünstler, Kulturmanager, Aktivist, board member of Association K, Belluard Bollwerk International, bone performance festival, In-Situ\nKulturplattform Kanton Fribourg\n\n**Romano Strebel**\nCommunity builder and entrepreneur Ronorp/Crowdify/WeTalents\n\n**Jacqueline Uhlmann**\nHead of Communication Löwenbräu Kunst\n\n**Mathias von Orelli**\nManaging Director, Fondation des Fondateurs\n\n**Michael Vust**\nDelegate for Culture, City of Biel/Bienne\n\n**Leo Zorc**\nApplication Solutions Architect, Member of Europeana","Das Fachgremium versammelt Persönlichkeiten aus Kultur und Kreativwirtschaft. Es berät den Verein inhaltlich zur digitalen Transformation in der Kultur, projektbezogen und bei der Weiterentwicklung von kleio. \n\n\n**Diana Alvarez-Marin**\nDigitalstrategin, Senior Geospatial Risk Expert Swiss Re\n\n**Eva Pauline Bossow**\nHead of Transfer, Zurich Centre for Creative Economies\n\n**Jacqueline Burckhardt**\nKunsthistorikerin\n\n**Aldo Caviezel**\nLeitung Amt für Kultur, KBK-CDAC\n\n**Maud Châtelet**\nKünstlerin, Digitalstrategin\n\n**Bice Curiger**\nKunstwissenschaftlerin, Artistic Director Fondation Vincent Van Gogh Arles\n\n**Dimitri De Perrot**\nMusiker, Klangkünstler, Unternehmer, Theaterschaffender\n\n**Bärbel Küster**\nKunsthistorikerin, Kunsthistorisches Institut, Lehrstuhl Moderne und Zeitgenössische Kunst, Universität Zürich\n\n**Christoph Elias Meier**\nSchreib-Service, Think Tank\n\n**Daniel Morgenthaler**\nKurator, freier Autor\n\n**Mia Odermatt**\nKulturunternehmerin und Kuratorin\n\n**Raphael Rossel**\nde-lay GmbH, Geschäftsführer Ikea Stiftung Schweiz und ehemaliges Mitglied der Geschäftsleitung des Design Preis Schweiz\n\n**Antonio Scarpino**\nArchitekt, Designer, Co-Direktor ZHdK CAS «Knowing Spaces» und Unternehmer,\nConceptual Devices\n\n**Martin Schick**\nKünstler, Kulturmanager, Aktivist, Vorstandsmitglied von Association K, Belluard Bollwerk International, bone performance festival, In-Situ Kulturplattform Kanton Fribourg\n\n**Romano Strebel**\nCommunity Builder und Unternehmer Ronorp/Crowdify/WeTalents\n\n**Jacqueline Uhlmann**\nHead of Communication Löwenbräu Kunst\n\n**Mathias von Orelli**\nGeschäftsführer Fondation des Fondateurs\n\n**Michael Vust**\nDelegierter für Kultur, Stadt Biel/Bienne\n\n**Leo Zorc**\nApplication Solutions Architect, Member of Europeana",{"@id":255,"@score":286,"@type":287,"kleio:cover_asset":314,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":315,"kleio:user_record_id":316,"kleioapi:in_set":317,"kleioapi:in_space":318,"kleioapi:is_actor":6,"kleioapi:owner_default_space__label":64,"kleioapi:owner_default_space__label__de":64,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":319,"rdfs:label__de":319,"schema:description":320,"schema:description__de":321,"schema:description__en":320,"threems:relatesTo":287},"kleio:asset_2444d65f-b885-454f-8419-89685557db33",[300],213,[35],[25],".","The non-profit association **kleioforum** is committed to strengthening culture.\n\nIt promotes the sustainable, long-term, and democratic digitization of cultural content.\n\nTwo key projects initiated by the association are the development of the **[kleio tool](http://kleio.com)** — for the simple documentation of cultural content—and the community platform **[kleioscope](http://kleioscope.com/)** (described in the press as the *Wikipedia of culture*), which was implemented using this tool as a model.\n\nThe kleio tool is aimed at all cultural actors—for the individual and self-determined application of personal projects.\n\n**kleioforum** welcomes collaborations that aim to foster awareness and encourage sustainable practices in the digital space.\nWe look forward [to hearing](https://kleioforum.com/?lang=en&contact) from you.\n\n\u003Cbr/>\n\n\n\n[Statutes](https://kleioforum.kleio.com/statutes) of the **kleioforum** Association","\n\nDer gemeinnützige Verein **kleioforum** setzt sich für die Stärkung der Kultur ein.\n\nEr fördert eine nachhaltige, langfristige und demokratische Digitalisierung kultureller Inhalte.\n\nZwei zentrale, vom Verein initiierte Projekte sind die Entwicklung des **[kleio Tools](http://kleio.com)** – zur einfachen Dokumentation kultureller Inhalte – sowie die beispielhaft damit umgesetzte Community-Plattform **[kleioscope](http://kleioscope.com/)** (in der Presse bereits *Wikipedia der Kultur* genannt).\n\nDas Tool **kleio** richtet sich an alle Akteur:innen der Kultur – zur individuellen und selbstbestimmten Anwendung der persönlichen Projekte.\n\n**kleioforum** freut sich über Kooperationen, die dazu beitragen, den bewussten und nachhaltigen Umgang im digitalen Raum zu fördern.\nWir freuen uns über deine [Kontaktaufnahme](https://kleioforum.com/?contact).\n\n\u003Cbr/>\n\n\n\n[Statuten](https://kleioforum.kleio.com/statutes) des Vereins **kleioforum**\n\n",{"@id":279,"@score":286,"@type":287,"kleio:activity_tag":323,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":325,"kleio:user_record_id":326,"kleioapi:in_set":327,"kleioapi:in_space":328,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":64,"kleioapi:owner_default_space__label__de":64,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":277,"rdfs:label__de":276,"rdfs:label__en":277,"schema:description":329,"schema:description__de":330,"schema:description__en":329,"threems:relatesTo":287},[324],"kleio:tag_6c34f6b1-6c24-4bdc-b37d-3f7166f7279a",[300],284,[217],[25],"**Marilin Brun**\nArtist, Member of the Board kleioforum\n\u003Ca href=\"https://marilinbrun.ch\" target=\"_blank\">marilinbrun.ch\u003C/a>\n\n**Dominique Lämmli**\nArtist and philosopher, Professor, Founder of FOA-FLUX und mAiA GmbH, Teacher at Zürcher Hochschule der Künste (ZHdK), Member of the Board kleioforum\n\u003Ca href=\"https://dominiquelaemmli.ch\" target=\"_blank\">dominiquelaemmli.ch\u003C/a>\n\n**Lily Koper**\nI am an avid follower of the theater, music and art scene and a former student of Popular Cultures, Film and Political Science. Culture is my subject and I have been able to gain some experience in this field as well. I started with a student job as a cashier at the cineaste cinema Filmpodium in Zürich, later I helped out as a production assistant at a theater company as well as on photo shoots and until the end of 2017 I worked at the Kunsthalle Zürich in administration and content development. After that, I worked as a freelancer for various projects in the cultural sector. In this context, I was also able to live in Berlin for a few months. At the end of 2018, I helped organize the event \"School of Life\" for the city of Zurich as part of \"Kunst:Szene Zürich 2018\" as well as for the second edition of the performance night \"Löwenbräu Lebt!\", which I co-initiated in 2017. Currently I am working as a Project Manager at Kiör of the City of Zurich and I am very happy to be part of the inspiring board of kleioforum.\n\u003Ca href=\"https://lily-koper.kleio.com\" target=\"_blank\">lily-koper.kleio.com\u003C/a>\n\n**Adrian Notz**\nAdrian Notz is curator at the ETH AI Center, mentor for the creative strategy and vision at the European Center for Contemporary Art in Cluj (ECCA), King of Elgaland-Vargaland, NSK Diplomat and Chevalier de la Tombe de Bakunin. From 2020-2022 he was curator at the Tichy Ocean Foundation in Zürich and from 2012-2019 artistic director of Cabaret Voltaire in Zurich. He worked in Cabaret Voltaire first from 2004 - 2006 as a curatorial assistant and from 2006 - 2012 as co-director. From 2010 to 2015 he was head of the Department for Fine Arts at the School of Design in St. Gallen.\nNotz has organized and curated numerous exhibitions, events, conferences, actions and interventions with international artists, activists and thinkers in Cabaret Voltaire as well as internationally around the globe.\n\u003Ca href=\"https://adrianchristophernotz.ch/home/\" target=\"_blank\">adrianchristophernotz.ch\u003C/a>\n\n**Anina Schenker**\nInitiator, founder, and managing director of kleio.com, at the intersection of culture and digitalization specializing in documentation, collection and estate processing, as well as board member of the kleioforum association and lecturer in art and design and digital archiving, artist, and former theater professional.\n\u003Ca href=\"https://aninaschenker.kleio.com\" target=\"_blank\">aninaschenker.kleio.com\u003C/a>\n\n**Mara Züst**\nArtist, curator, mediator, author, and researcher, board member of kleioforum\n\u003Ca href=\"https://marazuest.net/de/\" target=\"_blank\">marazuest.net\u003C/a>","**Marilin Brun**\nKünstlerin, Vorstandsmitglied kleioforum\n\u003Ca href=\"https://marilinbrun.ch\" target=\"_blank\">marilinbrun.ch\u003C/a>\n\n**Dominique Lämmli**\nKünstlerin und Philosophin, Professorin, Gründerin von FOA-FLUX und mAiA GmbH, Dozentin an der Zürcher Hochschule der Künste (ZHdK), Vorstandsmitglied von kleioforum\n\u003Ca href=\"https://dominiquelaemmli.ch\" target=\"_blank\">dominiquelaemmli.ch\u003C/a>\n\n**Lily Koper**\nIch bin eine begeisterterte Anhängerin der Theater-, Musik- und Kunstszene und habe Populärkultur, Film und Politikwissenschaft studiert. Kultur ist mein Fachgebiet, und ich konnte auch einige Erfahrungen in diesem Bereich sammeln. Ich begann mit einem Studentenjob als Kassiererin im Cineaste-Kino Filmpodium in Zürich, später half ich als Produktionsassistentin bei einer Theatergruppe sowie bei Fotoshootings und bis Ende 2017 arbeitete ich in der Kunsthalle Zürich in der Verwaltung und Inhaltsentwicklung. Danach war ich als Freiberuflerin für verschiedene Projekte im Kulturbereich tätig. In diesem Zusammenhang konnte ich auch einige Monate in Berlin leben. Ende 2018 half ich bei der Organisation der Veranstaltung «School of Life» für die Stadt Zürich im Rahmen von «Kunst:Szene Zürich 2018» sowie bei der zweiten Ausgabe der Performance-Nacht «Löwenbräu Lebt!», die ich 2017 mitinitiiert hatte. Derzeit arbeite ich als Projektmanagerin bei Kiör der Stadt Zürich und freue mich sehr, Teil des inspirierenden Vorstands von kleioforum zu sein.\n\u003Ca href=\"https://lily-koper.kleio.com\" target=\"_blank\">lily-koper.kleio.com\u003C/a>\n\n**Adrian Notz**\nAdrian Notz ist Kurator am ETH AI Center, Mentor für kreative Strategie und Vision am European Center for Contemporary Art in Cluj (ECCA), König von Elgaland-Vargaland, NSK-Diplomat und Chevalier de la Tombe de Bakunin. Von 2020 bis 2022 war er Kurator bei der Tichy Ocean Foundation in Zürich und von 2012 bis 2019 künstlerischer Leiter des Cabaret Voltaire in Zürich. Er arbeitete zunächst von 2004 bis 2006 als kuratorischer Assistent und von 2006 bis 2012 als Co-Direktor im Cabaret Voltaire. Von 2010 bis 2015 war er Leiter der Abteilung für Bildende Kunst an der Hochschule für Gestaltung in St. Gallen.\nNotz hat zahlreiche Ausstellungen, Veranstaltungen, Konferenzen, Aktionen und Interventionen mit internationalen Künstler*innen, Aktivist*innen und Denker*innen im Cabaret Voltaire sowie international rund um den Globus organisiert und kuratiert.\n\u003Ca href=\"https://adrianchristophernotz.ch/home/\" target=\"_blank\">adrianchristophernotz.ch\u003C/a>\n\n**Anina Schenker**\nInitiantin, Gründerin und Geschäftsführerin an der Schnittstelle von Kultur und Digitalisierung > kleio.com, spezialisiert im Bereich Dokumentation, Sammlungs- und Nachlassaufarbeitung, sowie Vorstand im Verein kleioforum und Dozentin für Kunst und Design und für digitales Archivieren, Künstlerin und vormals Theaterschaffende.\n\u003Ca href=\"https://aninaschenker.kleio.com\" target=\"_blank\">aninaschenker.kleio.com\u003C/a>\n\n**Mara Züst**\nKünstlerin, Kuratorin, Mediatorin, Autorin und Forscherin, Vorstandsmitglied kleioforum\n\u003Ca href=\"https://marazuest.net/de/\" target=\"_blank\">marazuest.net\u003C/a>",{"@id":249,"@score":286,"@type":287,"kleio:cover_asset":332,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":333,"kleio:user_record_id":334,"kleioapi:in_set":335,"kleioapi:in_space":336,"kleioapi:is_actor":6,"kleioapi:owner_default_space__label":64,"kleioapi:owner_default_space__label__de":64,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":337,"rdfs:label__de":338,"rdfs:label__en":337,"schema:description":339,"schema:description__de":340,"schema:description__en":339,"threems:relatesTo":287},"kleio:asset_ff0dc252-3f00-43ba-8850-493690a9d558",[291],218,[37],[25],"Project kleioscope - the culture directory","Projekt kleioscope - das Kulturverzeichnis","With **kleioscope**, the association [kleioforum](https://kleioforum.com/) launches the first cross-disciplinary directory designed to comprehensively reflect the diversity of today’s cultural landscape. Built on [kleio.com](https://kleio.com/), kleioscope features contributions from kleio users.\n\nThis cross-sector, collaboratively and egalitarian-authored project has the potential to become the first truly comprehensive digital culture platform. As a public research portal, it connects contemporary cultural work with heritage and preserves both for future cultural and societal discourse.\n\nThe project takes a cultural studies approach: the keywords used for tagging are anonymized, translated, structured, and transformed into a growing taxonomy. Filter functions are continuously expanded to make visible the themes and focuses shaping current cultural production.\n\n**kleioscope** also fosters networking, collaboration, and critical engagement. Curated exhibitions are planned for future presentation.\n\n**Who can contribute to kleioscope?**\nAnyone documenting their work with kleio can link their content to **kleioscope** using the Collaborate feature.\n[Send](https://kleioforum.com/23_kleioscope/218_kleioscope-das-kulturverzeichnis?contact) us the link to your personal kleio website and **kleioscope** will send you a collaboration invitation.\n\n👉 [Visit kleioscope.com](https://kleioscope.com/)","Mit **kleioscope** lanciert der Verein kleioforum das erste disziplinübergreifende Verzeichnis, welches die aktuelle Vielfalt der Kultur möglichst umfassend wiedergeben kann. **kleioscope** baut auf [kleio.com](https://kleio.com/) auf und zeigt Beiträge der kleio-User:innen an.\n\nDas spartenübergreifende und auf kollektiver und egalitärer Autor:innenschaft basierende Projekt hat das Potenzial, die erste umfassende digitale Kulturplattform zu werden. Als öffentliches Rechercheportal bringt es zeitgenössische Arbeiten mit Kulturerbe in Verbindung und sichert beides für künftige kulturelle und gesellschaftliche Auseinandersetzungen. Damit verfolgt das Projekt eine kulturwissenschaftliche Stossrichtung: Im Hintergrund werden die zur Verschlagwortung verwendeten Begrifflichkeiten anonymisiert untersucht, übersetzt, strukturiert und in eine Taxonomie überführt. Die Filterfunktionen werden laufend weiter ausgebaut, dass über kleioscope die Themen und Schwerpunkte der aktuellen Kulturproduktion sichtbar werden. Zugleich dient die Plattform der Vernetzung, Kollaboration und diskursiver Auseinandersetzung. Die Präsentation kuratierter Ausstellungen ist vorgesehen.\n\n\u003Cbr/>\n\n**Wer kann bei kleioscope mitwirken?**\nUser:innen, die ihre Arbeit mit kleio dokumentieren, können ihre Inhalte über die Collaborate-Funktion mit **kleioscope** verbinden. [Schick](https://kleioforum.com/23_kleioscope/218_kleioscope-das-kulturverzeichnis?contact) uns den Link zu deiner persönlichen kleio Website und **kleioscope** sendet dir eine Kollaborations-Einladung.\n\n👉 [Besuche kleioscope.com](https://kleioscope.com/)","kleio:record_ffe56b39-a45a-4338-850b-5609a80e9340",{"@id":341,"@score":236,"@type":287,"kleio:cover_asset":343,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":344,"kleio:user_record_id":346,"kleioapi:in_set":347,"kleioapi:in_space":348,"kleioapi:is_actor":6,"kleioapi:main_date__date":349,"kleioapi:main_date__date__lower":349,"kleioapi:main_date__date__upper":349,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":350,"rdfs:label__de":350,"rdfs:label__en":351,"schema:description":352,"schema:description__de":352,"schema:description__en":353,"threems:relatesTo":287,"threems:searchVia_index":220},"kleio:asset_f92e154a-13a8-4e1e-ae1c-b7c550203c8d",[345],"kleio:tag_type_event",175,[219],[25],"2023-06-01","Launch der 6. technologischen Generation von kleio","Launch of the sixth technological generation of kleio","Am ersten Juni 2023 findet der offizielle Lauch der 6. technologischen Generation von kleio statt.\n\nHinter kleio arbeitet ab sofort eine modulare, Graph basierte Datenbank, welche Inhalte kompatibel macht und für die Zukunft als Kulturerbe sichert.","The official launch of the sixth technological generation of kleio will take place on June 1, 2023.\n\nkleio is now powered by a modular, graph-based database that makes content compatible and preserves it for future generations as cultural heritage.","kleio:record_0a9e13bf-8e32-4922-b269-b04b3d552622",{"@id":354,"@score":236,"@type":287,"kleio:cover_asset":356,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":357,"kleio:user_record_id":359,"kleioapi:in_set":360,"kleioapi:in_space":361,"kleioapi:is_actor":6,"kleioapi:main_date__date":362,"kleioapi:main_date__date__lower":362,"kleioapi:main_date__date__upper":362,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":363,"rdfs:label__de":363,"schema:description":364,"schema:description__de":364,"schema:description__en":365,"threems:relatesTo":287,"threems:searchVia_index":63},"kleio:asset_f6c1620e-a533-4dd8-85af-2f091b0f8552",[358,345],"kleio:tag_type_exhibition",221,[219],[25],"2023-11-07","2. Forum \"Kulturgut und Digitalisierung\"","Am 7. November 2023 treffen sich Vertreter:innen der verschiedenen Kultursparten, um Bedürfnisse, Fragen und Visionen zur digitalen Transformation zu sammeln und gemeinsam Lösungen zu entwerfen.","On November 7, 2023, representatives from various cultural sectors will meet to gather needs, questions, and visions regarding digital transformation and to jointly develop solutions.","kleio:record_ad351b6f-2e2a-4b55-acf2-e3812d3b6810",{"@id":366,"@score":236,"@type":287,"kleio:cover_asset":368,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":369,"kleio:user_record_id":370,"kleioapi:in_set":371,"kleioapi:in_space":372,"kleioapi:is_actor":6,"kleioapi:main_date__date":373,"kleioapi:main_date__date__lower":373,"kleioapi:main_date__date__upper":373,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":374,"rdfs:label__de":374,"schema:description":375,"schema:description__de":375,"schema:description__en":376,"threems:relatesTo":287,"threems:searchVia_index":236},"kleio:asset_50a53ccf-80c5-4424-91a9-b2d97695bb41",[345,358],199,[219],[25],"2023-09-19","1. Forum \"Kulturgut und Digitalisierung\"","Am 19. September 2023 treffen sich Vertreter:innen der verschiedenen Kultursparten, um Bedürfnisse, Fragen und Visionen zur digitalen Transformation zu sammeln und gemeinsam Lösungen zu entwerfen.","On September 19, 2023, representatives from various cultural sectors will meet to gather needs, questions, and visions regarding digital transformation and to jointly develop solutions.","kleio:record_b69c886f-7c83-4563-b154-5a84693edd34",{"@id":377,"@score":236,"@type":287,"kleio:cover_asset":379,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":380,"kleio:user_record_id":381,"kleioapi:in_set":382,"kleioapi:in_space":383,"kleioapi:is_actor":6,"kleioapi:main_date__date":384,"kleioapi:main_date__date__lower":384,"kleioapi:main_date__date__upper":384,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":385,"rdfs:label__de":385,"rdfs:label__en":386,"schema:description":387,"schema:description__de":387,"schema:description__en":388,"threems:relatesTo":287,"threems:searchVia_index":228},"kleio:asset_adcc912b-b4a4-4360-91b4-ac6c878bc9a7",[345,358],198,[219],[25],"2023-09-17","Podiumsdikussion - Sichtbarkeit im medialen Raum - an der FATartfair","Panel discussion – Visibility in the media space – at FATartfair","Für die Sichtbarkeit von Künstlerinnen ist es essenziell, dass sie online auffindbar sind. Einerseits, um von Kurator*innen, Galerien und Institutionen entdeckt zu werden. Andererseits, um mit ihrer Präsenz im digitalen Raum die Algorithmen von KI allmählich zu verändern. Im Panel „Sichtbarkeit im medialen Raum“ diskutiert Ursina Gabriela Roesch mit Sandra Becker und Anina Schenker über die Wichtigkeit medialer Repräsentation und über Strategien, wie diese erreicht werden kann.\n\n**Ursina Gabriela Roesch** ist Mitgründerin und Projektleiterin von FATart. Neben der FATart Fair und regelmässigen Ausstellungen engagiert sich FATart auch für die Sichtbarkeit von Künstlerinnen im medialen Raum. In der FATcommunity können ehemalige Teilnehmende der FATart Fair kostenlos ein Profil erstellen und in der FATgallery werden Kunstwerke von ausgewählten Kunstschaffenden zum online-Verkauf angeboten.\n\n**Sandra Becker** ist GLAM Lead bei Wikimedia CH. In dieser Funktion arbeitet sie dran, Wissenslücken in Archiven zu erkennen und insbesondere Künstlerinnen mehr Sichtbarkeit zu verleihen. Denn Wikipedia ist zwar durch jede*n bearbeitbar, doch die Perspektive ist sehr oft männerdominiert. Dagegen schreiben Sandra Becker und weitere Wikipedianerinnen an. \n\n**Anina Schenker** ist Initiantin, Gründerin und Geschäftsführerin von kleio.com, einem Workspace für Kunst, Design und Kultur. Künstler*innen, aber auch Kurator*innen oder Institutionen können auf kleio ein Profil erstellen, einen öffentlichen Auftritt erwirken und sich miteinander vernetzen.\n\n","For female artists to be visible, it is essential that they can be found online. On the one hand, this is so that they can be discovered by curators, galleries, and institutions. On the other hand, it is so that their presence in the digital space can gradually change AI algorithms. In the panel discussion “Visibility in the Media Space,” Ursina Gabriela Roesch talks with Sandra Becker and Anina Schenker about the importance of media representation and strategies for achieving it.\n\n**Ursina Gabriela Roesch** is co-founder and project manager of FATart. In addition to the FATart Fair and regular exhibitions, FATart is also committed to promoting the visibility of female artists in the media. In the FATcommunity, former participants of the FATart Fair can create a profile free of charge, and in the FATgallery, works of art by selected artists are offered for sale online.\n\n**Sandra Becker** is GLAM Lead at Wikimedia CH. In this role, she works to identify gaps in knowledge in archives and, in particular, to give female artists more visibility. Although Wikipedia can be edited by anyone, the perspective is very often male-dominated. Sandra Becker and other female Wikipedians are working to change this. \n\n**Anina Schenker** is the initiator, founder, and managing director of kleio.com, a workspace for art, design, and culture. Artists, curators, and institutions can create a profile on kleio, establish a public presence, and network with each other.","kleio:record_a9a0a3fe-8529-4c92-bd04-c0ebe7dff721",{"@id":389,"@score":236,"@type":287,"kleio:cover_asset":391,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":392,"kleio:user_record_id":393,"kleioapi:in_set":394,"kleioapi:in_space":395,"kleioapi:is_actor":6,"kleioapi:main_date__date":396,"kleioapi:main_date__date__lower":396,"kleioapi:main_date__date__upper":396,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":397,"rdfs:label__de":397,"schema:description":398,"schema:description__de":398,"schema:description__en":399,"threems:relatesTo":287,"threems:searchVia_index":221},"kleio:asset_c4e4b34c-ca25-422c-9926-0698ff68fdac",[358],142,[219],[25],"2023-04-26","Release kleio23 - 2023","Am 26. April 2023 ist es endlich soweit!\nWir drücken nach mehr als zwei Jahren Entwicklung auf DEN KNOPF!\nUnd veröffentlichen kleio in der 6. technologischen Generation.","April 26, 2023 is finally here!\nAfter more than two years of development, we are pressing THE BUTTON!\nAnd releasing kleio in its 6th technological generation.","kleio:record_47f02e4d-83e8-40a4-89b5-c0d699c67317",{"@id":400,"@score":236,"@type":287,"kleio:cover_asset":402,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":403,"kleio:user_record_id":404,"kleioapi:in_set":405,"kleioapi:in_space":406,"kleioapi:is_actor":6,"kleioapi:main_date__date":407,"kleioapi:main_date__date__lower":407,"kleioapi:main_date__date__upper":407,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":408,"rdfs:label__de":408,"rdfs:label__en":409,"threems:relatesTo":287,"threems:searchVia_index":265},"kleio:asset_88874df3-ae20-4dbe-8dc4-68e1b57037d7",[345],133,[219],[25],"2023-04-19","Talk im Material, Zürich - Nachlässe was nun? Werkverzeichnisse jetzt! ","Talk at Material, Zurich – Bequests: what now? Catalogues raisonnés now!","kleio:record_114c4333-cc8f-448e-a66f-2114a8dc7744",{"@id":410,"@score":236,"@type":287,"kleio:cover_asset":412,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":413,"kleio:user_record_id":414,"kleioapi:in_set":415,"kleioapi:in_space":416,"kleioapi:is_actor":6,"kleioapi:main_date__date":417,"kleioapi:main_date__date__lower":418,"kleioapi:main_date__date__upper":419,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":420,"rdfs:label__de":420,"threems:relatesTo":287,"threems:searchVia_index":421},"kleio:asset_cb2439c0-5ffe-4260-805c-951b46b4860e",[345],146,[219],[25],"2022","2022-01-01","2022-12-31","Key-note - Share Connect Collaborate - digital Repository, ZHdK",6,"kleio:record_4fb302f1-f2e8-4afb-b5f0-8243e73a5555",{"@id":422,"@score":236,"@type":287,"kleio:category_tags":424,"kleio:cover_asset":426,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":427,"kleio:user_record_id":428,"kleioapi:in_set":429,"kleioapi:in_space":430,"kleioapi:is_actor":6,"kleioapi:main_date__date":431,"kleioapi:main_date__date__lower":431,"kleioapi:main_date__date__upper":431,"kleioapi:owner_default_space__label":64,"kleioapi:owner_default_space__label__de":64,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":432,"rdfs:label__de":432,"schema:title":433,"schema:title__de":433,"threems:relatesTo":287,"threems:searchVia_index":434},[425],"kleio:tag_category_solo-show","kleio:asset_c8020220-a326-425e-b6eb-cd7880715b60",[358],277,[219],[25],"2022-12-10","Ausstellung - VC7 openspace","VC7 openspace - Eröffnung",7,"kleio:record_396246ba-5510-4f94-b0db-3a8ccd219e14",{"@id":435,"@score":236,"@type":287,"kleio:cover_asset":437,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":438,"kleio:user_record_id":440,"kleioapi:in_set":441,"kleioapi:in_space":442,"kleioapi:is_actor":6,"kleioapi:main_date__date":443,"kleioapi:main_date__date__lower":443,"kleioapi:main_date__date__upper":443,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":444,"rdfs:label__de":444,"rdfs:label__en":445,"schema:description":446,"schema:description__de":446,"schema:description__en":447,"threems:relatesTo":287,"threems:searchVia_index":448},"kleio:asset_293db16a-3c53-457d-8fd3-b7ff04d8df17",[439],"kleio:tag_type_presentation",153,[219],[25],"2022-06-22","Podiumsdiskussion - Off-Memory? Universität Zürich","Panel discussion – Off-Memory? University of Zurich","Off-Memory? Zur Archivierung eines flüchtigen Formats – Zürcher selbstorganisierte Kunsträume* KO2-F-153, KARL SCHMID-STRASSE 4 Gesprächsrunde in Zusammenarbeit von Lehrstuhl Moderne und zeitgenössische Kunst LMZK, Student*innen und einzelnen Kunsträumen werden Fragen der Archivierung erläutert und Handlungsstrategien entworfen. Die Kunsträume stellen sich vor und thematisieren ihre Perspektiven auf Archivierung jenseits blosser Aufbewahrung – was sind Strategien der Überlieferung im Off? Und welche wechselseitigen Potentiale liegen in der Zusammenarbeit von Institution und Selbstorganisation? Organisation: Bärbel Küster, LMZK, Kunsthistorisches Institut, Universität Zürich","Off-Memory? Archiving a fleeting format – Zurich's self-organized art spaces* KO2-F-153, KARL SCHMID-STRASSE 4 In a roundtable discussion organized in collaboration with the Chair of Modern and Contemporary Art LMZK, students, and individual art spaces, questions of archiving will be explored and strategies for action developed. The art spaces introduce themselves and discuss their perspectives on archiving beyond mere storage – what are strategies for preservation in the off? And what mutual potentials lie in the collaboration between institutions and self-organization? Organization: Bärbel Küster, LMZK, Art History Institute, University of Zurich",8,"kleio:record_835777e6-55af-4282-b031-7f5188865a15",{"@id":449,"@score":236,"@type":287,"kleio:category_tags":451,"kleio:cover_asset":453,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":454,"kleio:user_record_id":455,"kleioapi:in_set":456,"kleioapi:in_space":457,"kleioapi:is_actor":6,"kleioapi:main_date__date":458,"kleioapi:main_date__date__lower":459,"kleioapi:main_date__date__upper":460,"kleioapi:owner_default_space__label":64,"kleioapi:owner_default_space__label__de":64,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":461,"rdfs:label__de":461,"schema:title":462,"schema:title__de":462,"threems:relatesTo":287,"threems:searchVia_index":272},[452],"kleio:tag_category_group-show","kleio:asset_52a14d92-6f8a-4ff1-b446-0aa506418da5",[358],276,[219],[25],"2021-11-27/2022-01-29","2021-11-27","2022-01-29","Ausstellung - Jetzt wirds schön","Jetzt wirds schön","kleio:record_276929",{"@id":463,"@score":236,"@type":287,"kleio:category_tags":465,"kleio:cover_asset":466,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":467,"kleio:user_record_id":468,"kleioapi:in_set":469,"kleioapi:in_space":470,"kleioapi:is_actor":6,"kleioapi:main_date__date":471,"kleioapi:main_date__date__lower":471,"kleioapi:main_date__date__upper":471,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":472,"rdfs:label__de":472,"rdfs:label__en":473,"schema:title":474,"schema:title__de":474,"threems:relatesTo":287,"threems:searchVia_index":475},[425],"kleio:asset_d6f0d4ec-9c21-4457-92ec-3da159049a89",[358],28,[219],[25],"2018-05-31","Ausstellung - Dogge","Exhibition - Dogge","Dogge",10,"kleio:record_276925",{"@id":476,"@score":236,"@type":287,"kleio:category_tags":478,"kleio:cover_asset":479,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":480,"kleio:user_record_id":481,"kleioapi:in_set":482,"kleioapi:in_space":483,"kleioapi:is_actor":6,"kleioapi:main_date__date":484,"kleioapi:main_date__date__lower":485,"kleioapi:main_date__date__upper":486,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":487,"rdfs:label__de":487,"rdfs:label__en":488,"schema:title":489,"schema:title__de":489,"threems:relatesTo":287,"threems:searchVia_index":490},[425],"kleio:asset_0cf7aa62-3916-43d1-9386-c822874a8eab",[358],24,[219],[25],"2017-02-10/2017-11-20","2017-02-10","2017-11-20","Ausstellung - Heimat","Exhibition - Heimat","Heimat",11,"kleio:record_276923",{"@id":491,"@score":236,"@type":287,"kleio:category_tags":493,"kleio:cover_asset":494,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":495,"kleio:user_record_id":253,"kleioapi:in_set":496,"kleioapi:in_space":497,"kleioapi:is_actor":6,"kleioapi:main_date__date":498,"kleioapi:main_date__date__lower":499,"kleioapi:main_date__date__upper":500,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":501,"rdfs:label__de":501,"rdfs:label__en":502,"schema:description":503,"schema:description__de":503,"schema:description__en":504,"schema:title":505,"schema:title__de":505,"threems:relatesTo":287,"threems:searchVia_index":506},[425],"kleio:asset_d8904176-9862-4c8d-97da-d1618e65c410",[358],[219],[25],"2017-12-02/2017-03-31","2017-12-02","2017-03-31","Ausstellung - Generating Sentences from a Continuous Space","Exhibition - Generating Sentences from a Continuous Space","Elon Musk warnt vor Killer-Robotern auf den Schlachtfeldern und Tary Southern veröffentlicht ein Album, komponiert von einer Software. (Originell klinge es aber nicht). Fakt ist, künstliche Intelligenz scheint das Thema der Stunde zu sein. So forscht auch Google schon lange, um die Lücke zwischen Mensch und Maschine zu schliessen: Their AI engine spoke with grammatical precision and factual accuracy, but its diction remained terse and limp. They wanted it to be more conversational, so they made it read 2,865 romance novels. Now Google has a poet. Diese kurzen abstrakten Gedichtzeilen lesen sich wie die minimalistische Lyrik eines Robert Lax und lassen uns über Innerlichkeit nachdenken. Waren wir nicht doch alle schon Moist Robots – lange bevor es galt, künstliche Intelligenz als Freund oder Feind einzustufen? Wie viel Programmierung steckt in der menschlichen Emotionalität und kann nicht jeder Fortschritt, jede technische Neuentwicklung selbst als eine Ausweitung des menschlichen Körpers gesehen werden? Um diese Fragen dreht sich Marilin Bruns Arbeit Generating Sentences from a Continuous Space und bringt uns in ein Gebiet, wo Organisches und Anorganisches ineinander verfliessen. Dabei lassen sich neue Verbindungen und Identitäten denken. Die Textinstallation im Schaufenster wird ergänzt mit einem gefühlvollen, robotischen Lovesong, komponiert und performed vom Singer/Songwriter Flurin Spescha.","Elon Musk warns of killer robots on the battlefield, and Tary Southern releases an album composed by software. (It doesn't sound original, though). The fact is, artificial intelligence seems to be the topic of the moment. Google, too, has been researching for a long time to close the gap between humans and machines: Their AI engine spoke with grammatical precision and factual accuracy, but its diction remained terse and limp. They wanted it to be more conversational, so they made it read 2,865 romance novels. Now Google has a poet. These short, abstract lines of poetry read like the minimalist lyrics of Robert Lax and make us think about inner life. Weren't we all already Moist Robots – long before artificial intelligence was classified as friend or foe? How much programming is there in human emotionality, and can't every advance, every new technical development, be seen as an extension of the human body? Marilin Brun's work Generating Sentences from a Continuous Space revolves around these questions and takes us into a realm where the organic and inorganic merge. This allows us to imagine new connections and identities. The text installation in the shop window is complemented by a soulful, robotic love song, composed and performed by singer/songwriter Flurin Spescha.","Generating Sentences from a Continuous Space",12,"kleio:record_276921",{"@id":507,"@score":236,"@type":287,"kleio:category_tags":509,"kleio:cover_asset":510,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":511,"kleio:user_record_id":512,"kleioapi:in_set":513,"kleioapi:in_space":514,"kleioapi:is_actor":6,"kleioapi:main_date__date":515,"kleioapi:main_date__date__lower":516,"kleioapi:main_date__date__upper":517,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":518,"rdfs:label__de":518,"rdfs:label__en":519,"schema:description":520,"schema:description__de":520,"schema:description__en":521,"schema:title":522,"schema:title__de":522,"threems:relatesTo":287,"threems:searchVia_index":523},[425],"kleio:asset_f7e8a287-db1b-4dab-9404-462a138da0ef",[358],20,[219],[25],"2016-11-12/2017-02-20","2016-11-12","2017-02-20","Ausstellung und Konzert - Ach again!","Exhibition and concert - Ach again!","\"... Ach ist eine sogenannte Symptominterjektion, d. h. man drückt mit ihr eine bestimmte Empfindung aus. Wie bei vielen Interjektionen ist eine genaue Bedeutung oft von der Intonation abhängig. Ach ist oft ein Seufzer oder ein Ausruf des Schmerzes. Mit ach! kann man auch Verwunderung, Fassungslosigkeit oder Desinteresse ausdrücken, oft wird die Interjektion auch ironisch verwendet...“ \n \n \n\nIm Schaufenster sind vergrösserten Skizzen aus Kairo, New York und Berlin zu sehen. mehr unter: [chrisjaeger.kleio.com](http://chrisjaeger.kleio.com) \n \nZu den Soundprojekten: [chrisjaeger.ch](http://chrisjaeger.ch)","“... Ach is a so-called symptom interjection, i.e. it is used to express a certain feeling. As with many interjections, the exact meaning often depends on the intonation. Ach is often a sigh or an exclamation of pain. Ach! can also be used to express surprise, bewilderment or disinterest, and the interjection is often used ironically...” \n \n \n\nEnlarged sketches from Cairo, New York, and Berlin are on display in the shop window. More at: [chrisjaeger.kleio.com](http://chrisjaeger.kleio.com) \n \nAbout the sound projects: [chrisjaeger.ch](http://chrisjaeger.ch)","Ach again!",13,"kleio:record_276920",{"@id":524,"@score":236,"@type":287,"kleio:category_tags":526,"kleio:cover_asset":527,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":528,"kleio:user_record_id":529,"kleioapi:in_set":530,"kleioapi:in_space":531,"kleioapi:is_actor":6,"kleioapi:main_date__date":532,"kleioapi:main_date__date__lower":533,"kleioapi:main_date__date__upper":534,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":535,"rdfs:label__de":535,"rdfs:label__en":536,"schema:description":537,"schema:description__de":537,"schema:title":538,"schema:title__de":538,"threems:relatesTo":287,"threems:searchVia_index":539},[425],"kleio:asset_e4986f2f-04d7-4c30-985d-8e51c8cc5b56",[358],19,[219],[25],"2016-06-09/2016-10-31","2016-06-09","2016-10-31","Ausstellung - Morning Kiss","Exhibition - Morning Kiss","Morning kiss \nSweet salvia \nBitter of rotting teeth \nBITTER SWEET","Morning Kiss",14,"kleio:record_276917",{"@id":540,"@score":236,"@type":287,"kleio:category_tags":542,"kleio:cover_asset":543,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":544,"kleio:user_record_id":545,"kleioapi:in_set":546,"kleioapi:in_space":547,"kleioapi:is_actor":6,"kleioapi:main_date__date":548,"kleioapi:main_date__date__lower":549,"kleioapi:main_date__date__upper":550,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":551,"rdfs:label__de":551,"rdfs:label__en":552,"schema:description":553,"schema:description__de":553,"schema:title":554,"schema:title__de":554,"threems:relatesTo":287,"threems:searchVia_index":555},[425],"kleio:asset_996ccabc-6674-4f0c-932f-9665a530e4fe",[358],16,[219],[25],"2015-12-01/2016-05-31","2015-12-01","2016-05-31","Ausstellung - NT","Exhibition - NT","We loose ourselves \nin order to find us \nand when we are found \nwe realise that we have \nforgotten something behind \ndo we go back? \ndo we move on? \ndo we pause and rest a while? \nrest a while. \nLost and found \nand lost again \nso it was \nso it shall always be \n \n \n \nLOST AND FOUND AND LOST AGAIN","NT",15,"kleio:record_276916",{"@id":556,"@score":236,"@type":287,"kleio:category_tags":558,"kleio:cover_asset":559,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":560,"kleio:user_record_id":555,"kleioapi:in_set":561,"kleioapi:in_space":562,"kleioapi:is_actor":6,"kleioapi:main_date__date":563,"kleioapi:main_date__date__lower":564,"kleioapi:main_date__date__upper":565,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":566,"rdfs:label__de":566,"rdfs:label__en":567,"schema:title":568,"schema:title__de":568,"threems:relatesTo":287,"threems:searchVia_index":545},[425],"kleio:asset_7fa5fe25-35b0-4694-b55d-da31fd174fd8",[358],[219],[25],"2015-05-26/2015-11-20","2015-05-26","2015-11-20","Ausstellung - into a black hole (Limbo 2)","Exhibition - into a black hole","into a black hole","kleio:record_276914",{"@id":569,"@score":236,"@type":287,"kleio:category_tags":571,"kleio:cover_asset":572,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":573,"kleio:user_record_id":523,"kleioapi:in_set":574,"kleioapi:in_space":575,"kleioapi:is_actor":6,"kleioapi:main_date__date":576,"kleioapi:main_date__date__lower":577,"kleioapi:main_date__date__upper":578,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":579,"rdfs:label__de":579,"rdfs:label__en":580,"schema:description":581,"schema:description__de":581,"schema:title":582,"schema:title__de":582,"threems:relatesTo":287,"threems:searchVia_index":268},[425],"kleio:asset_25b288fb-6f90-4c9f-9c05-2bfc8a08b773",[358],[219],[25],"2015-03-13/2015-05-20","2015-03-13","2015-05-20","Ausstellung - Why we need rain (Limbo 1)","Exhibition - Why we need rain","PHYSICS. \n \nSpaghettification \n \nthe process by which (in some \n \ntheories), oh, an, object \n \nwould be stretched and ripped \n \napart by gravatational \n \nforeces on falling \n \ninto a black hole \n \n0\"","Why we need rain","kleio:record_276912",{"@id":583,"@score":236,"@type":287,"kleio:category_tags":585,"kleio:cover_asset":586,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":587,"kleio:user_record_id":490,"kleioapi:in_set":588,"kleioapi:in_space":589,"kleioapi:is_actor":6,"kleioapi:main_date__date":590,"kleioapi:main_date__date__lower":591,"kleioapi:main_date__date__upper":592,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":593,"rdfs:label__de":593,"rdfs:label__en":594,"schema:description":595,"schema:description__de":595,"schema:description__en":596,"schema:title":597,"schema:title__de":597,"threems:relatesTo":287,"threems:searchVia_index":598},[425],"kleio:asset_22927f99-4c10-4c68-8ec3-51300d740a06",[358],[219],[25],"2014-11-28/2015-02-20","2014-11-28","2015-02-20","Ausstellung - Fulgurit","Exhibition - Fulgurit","Eine Schneise im Fenster, ihr entlang folgt eine Geste. Wie die Synthese eines Kampfes, ein Indiz, eine Synekdoche. Formen fügen sich aneinander. Man kann nicht entschieden sagen ob sie organisch oder abstrakt sind, oder einen bestimmten Zweck verfolgen.","A swath in the window, followed by a gesture. Like the synthesis of a struggle, an indication, a synecdoche. Forms fit together. It is impossible to say definitively whether they are organic or abstract, or whether they serve a specific purpose.","Fulgurit",18,"kleio:record_276913",{"@id":599,"@score":236,"@type":287,"kleio:category_tags":601,"kleio:cover_asset":602,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":603,"kleio:user_record_id":506,"kleioapi:in_set":604,"kleioapi:in_space":605,"kleioapi:is_actor":6,"kleioapi:main_date__date":606,"kleioapi:main_date__date__lower":607,"kleioapi:main_date__date__upper":608,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":609,"rdfs:label__de":609,"rdfs:label__en":610,"schema:description":611,"schema:description__de":611,"schema:description__en":612,"schema:title":613,"schema:title__de":613,"threems:relatesTo":287,"threems:searchVia_index":529},[425],"kleio:asset_e55d45e6-629a-4ba1-a6d1-ef28de6845bb",[358],[219],[25],"2014-10-24/2014-11-22","2014-10-24","2014-11-22","Ausstellung - The else { } statement","Exhibition - The else { } statement","Ich, du, hier, jetzt. Ein Dialog zwischen zwei Stimmen, in unendlichen Räumen schwebend. Sie antworten sich. 'The else { } statement' hinterfragt die Beziehung zu anderen, zu sich selbst, die Vielfältigkeit der Identität. Durch ein Spiel mit virtuellen Techniken schleicht es sich in die Realität, schleust Worte ein - offene Gedichte, Nachrichten, die man aufschnappt um sie sich Eigen zu machen.","Me, you, here, now. A dialogue between two voices, floating in infinite spaces. They respond to each other. 'The else { } statement' questions the relationship to others, to oneself, the diversity of identity. Through a play with virtual techniques, it creeps into reality, smuggling in words—open poems, messages that one picks up and makes one's own.","The else { } statement","kleio:record_276904",{"@id":614,"@score":236,"@type":287,"kleio:category_tags":616,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":618,"kleio:user_record_id":265,"kleioapi:in_set":619,"kleioapi:in_space":620,"kleioapi:is_actor":6,"kleioapi:main_date__date":621,"kleioapi:main_date__date__lower":622,"kleioapi:main_date__date__upper":608,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":623,"rdfs:label__de":623,"rdfs:label__en":624,"schema:description":625,"schema:description__de":625,"schema:description__en":626,"schema:title":627,"schema:title__de":627,"threems:relatesTo":287,"threems:searchVia_index":512},[617],"kleio:tag_category_25",[358],[219],[25],"2014-04-25/2014-11-22","2014-04-25","Konzept für 4 Einzelausstellungen - from sand grains to rock, and back","Concept for 4 solo exhibitions - from sand grains to rock, and back","Programm für die kommenden vier Einzelausstellungen \nSchaufenster von Kunstunion, 24h/24h, Limmatstrasse 204, Zurich \n \nNina Haab, April 25 – Mai 23, 2014 \nMaxime Bondu, Juni 13 – August 16, 2014 \nDamián Navarro, August 29 – Oktober 3, 2014 \nAyshe Kizilçay, Oktober 25 – November 22, 2014 \n \nKuratorin: Isaline Vuille \n \nFrom sand grains to rock, and back (von Sandkörner zum Felsen und wieder zurück) evoziert ein geologisches Bild - vom Partikel zum Ganzen und umgekehrt - um über die Entstehung künstlerischer Praktiken nachzudenken, die sich mit dem Archiv, Dokument oder dem Erzählerischen befassen. \n \nDer Zyklus von Einzelausstellungen hinterfragt diese Prozesse und möchte in einem kontinuierlichen Hin und Her von Einflüssen und Wechselbeziehungen die komplexe Beziehung zwischen Quelle und Werk erkunden. \n \nIn Übereinstimmung mit der Aktivität von kunstunion - Künstlerverband und virtueller Vertriebsplattform - umfasst From sand grains to rock, and back vier Ausstellungen, die verschiedene Positionen zu diesen Themen zeigen. Eigens für den Raum konzipiert nähert sich jedes Projekt dem Archiv, den Dokumenten und der Erzählung aus einem bestimmten Blickwinkel: Privat-und Familienarchive, die Erinnerungen festhalten; historische, wissenschaftliche oder literarische Dokumente, welche die Umrisse mythischer Figuren skizzieren; virtuelle Kommunikationsprozesse, die sowohl unser Verhältnis zu Wissen als auch unsere Beziehungen prägen. \n \nIndem sich die eingeladenen Künstler dieses Material aneignen werden neue Interpretationen, Ähnlichkeiten, Möglichkeiten und Verbindungen erschaffen, und aus diesen entstehen neue Geschichten zwischen Fiktion und Realität. \n \nKontakt für Informationen: \n[isalinevuille.com](http://isalinevuille.com) \n \nMit der Unterstützung des Fonds Cantonal d'Art Contemporain, Geneva und der Stadt Genf","Program for the upcoming four solo exhibitions \nSchaufenster von Kunstunion, 24h/24h, Limmatstrasse 204, Zurich \n \nNina Haab, April 25 – May 23, 2014 \nMaxime Bondu, June 13 – August 16, 2014 \nDamián Navarro, August 29 – October 3, 2014\nAyshe Kizilçay, October 25 – November 22, 2014 \n \nCurator: Isaline Vuille \n \nFrom sand grains to rock, and back evokes a geological image—from particle to whole and back again—to reflect on the emergence of artistic practices that deal with archives, documents, or narratives. \n \nThe cycle of solo exhibitions questions these processes and seeks to explore the complex relationship between source and work in a continuous back-and-forth of influences and interrelationships. \n \nIn line with the activities of kunstunion – artists' association and virtual distribution platform – From sand grains to rock, and back comprises four exhibitions that present different positions on these themes. Designed specifically for the space, each project approaches the archive, the documents, and the narrative from a particular angle: private and family archives that capture memories; historical, scientific, or literary documents that sketch the outlines of mythical figures; virtual communication processes that shape both our relationship to knowledge and our relationships. \n \nBy appropriating this material, the invited artists will create new interpretations, similarities, possibilities, and connections, giving rise to new stories between fiction and reality. \n \nContact for information: \n[isalinevuille.com](http://isalinevuille.com) \n \nWith the support of the Fonds Cantonal d'Art Contemporain, Geneva, and the City of Geneva.","from sand grains to rock, and back","kleio:record_276909",{"@id":628,"@score":236,"@type":287,"kleio:category_tags":630,"kleio:cover_asset":631,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":632,"kleio:user_record_id":475,"kleioapi:in_set":633,"kleioapi:in_space":634,"kleioapi:is_actor":6,"kleioapi:main_date__date":635,"kleioapi:main_date__date__lower":636,"kleioapi:main_date__date__upper":637,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":638,"rdfs:label__de":638,"schema:description":639,"schema:description__de":639,"schema:description__en":640,"schema:title":638,"schema:title__de":638,"threems:relatesTo":287,"threems:searchVia_index":641},[617],"kleio:asset_2da2bd69-1a07-4fb8-ae76-2c6a17855ab9",[358],[219],[25],"2014-08-29/2014-10-20","2014-08-29","2014-10-20","Release of kleio","Wir feiern das Release von unserer Webapplikation. \n \nEs würde uns freuen, wenn Du diesen Freitag den 29. August bei Kunstunion vorbeischauen und mit uns anstossen würdest. \n \nAb 17:00 steht unsere Türe offen.","We are celebrating the release of our web application. \n \nWe would be delighted if you could drop by Kunstunion this Friday, August 29, and raise a glass with us. \n \nOur doors will be open from 5 p.m.",21,"kleio:record_276908",{"@id":642,"@score":236,"@type":287,"kleio:category_tags":644,"kleio:cover_asset":645,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":646,"kleio:user_record_id":272,"kleioapi:in_set":647,"kleioapi:in_space":648,"kleioapi:is_actor":6,"kleioapi:main_date__date":649,"kleioapi:main_date__date__lower":650,"kleioapi:main_date__date__upper":651,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":652,"rdfs:label__de":652,"rdfs:label__en":653,"schema:description":654,"schema:description__de":654,"schema:description__en":655,"schema:title":656,"schema:title__de":656,"threems:relatesTo":287,"threems:searchVia_index":253},[425],"kleio:asset_e174cf11-2910-4a43-a8a4-be4aae295b22",[358],[219],[25],"2014-06-13/2014-08-16","2014-06-13","2014-08-16","Ausstellung - Architeuthis, a prophecy","Exhibition - Architeuthis, a prophecy","Sei es in Überlieferungen der Seeleute, aus wissenschaftlichen Forschungsberichten oder in Literatur und Film - der Riesenkalmar, auch Architeuthis, geistert seit Jahrhunderten durch unsere Vorstellungswelt. Durch das Gegenüberstellen von Elementen aus neuesten Erkenntnissen über das Monster und Auszügen aus Fiktionen hinterfragt Maxime Bondu das Aufkommen von Mythen und das was entstehen kann, wenn sie mit ihrer Enthüllung durch die Wissenschaft konfrontiert werden.","Whether in sailors' tales, scientific research reports, literature, or film, the giant squid, also known as Architeuthis, has haunted our imagination for centuries. By juxtaposing elements from the latest findings about the monster with excerpts from fiction, Maxime Bondu questions the emergence of myths and what can happen when they are confronted with their revelation by science.","Architeuthis, a prophecy","kleio:record_276901",{"@id":657,"@score":236,"@type":287,"kleio:category_tags":659,"kleio:cover_asset":660,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":661,"kleio:user_record_id":228,"kleioapi:in_set":662,"kleioapi:in_space":663,"kleioapi:is_actor":6,"kleioapi:main_date__date":664,"kleioapi:main_date__date__lower":622,"kleioapi:main_date__date__upper":665,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":666,"rdfs:label__de":666,"rdfs:label__en":667,"schema:description":668,"schema:description__de":668,"schema:description__en":669,"schema:title":670,"schema:title__de":670,"threems:relatesTo":287,"threems:searchVia_index":245},[425],"kleio:asset_cc9bac11-05cf-48a7-9cfe-2acedee400b6",[358],[219],[25],"2014-04-25/2014-05-23","2014-05-23","Ausstellung - Ways Of","Exhibition - Ways Of","Dem Familienarchiv entliehene Fotografien und Dokumente werden Ausgangspunkte für Erzählungen. Sie werfen Fragen über Zugehörigkeit und Unterschiede, Reisen und Persönlichkeitsbildung auf.","Photographs and documents borrowed from the family archive become starting points for stories. They raise questions about belonging and differences, travel and personality development.","Ways Of","kleio:record_276900",{"@id":671,"@score":236,"@type":287,"kleio:category_tags":673,"kleio:cover_asset":674,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":675,"kleio:user_record_id":236,"kleioapi:in_set":676,"kleioapi:in_space":677,"kleioapi:is_actor":6,"kleioapi:main_date__date":678,"kleioapi:main_date__date__lower":679,"kleioapi:main_date__date__upper":680,"kleioapi:owner_default_space__label":72,"kleioapi:owner_default_space__label__de":72,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":681,"rdfs:label__de":681,"rdfs:label__en":682,"schema:description":683,"schema:description__de":683,"schema:description__en":684,"schema:title":685,"schema:title__de":685,"threems:relatesTo":287,"threems:searchVia_index":481},[425],"kleio:asset_37685bf1-83b7-4976-9a32-def0705d109c",[358],[219],[25],"2013-12-11/2014-03-31","2013-12-11","2014-03-31","Ausstellung - Jagen und Sammeln","Exhibition - Hunting and Gathering","«Jagen und Sammeln» fand im Frühling 2013 als gemeinsames Unterrichtsprojekt der Studiengänge Bildende Kunst und Visuelle Gestaltung HF statt. Das schulinterne Archiv wurde dabei als Jagdgrund genutzt — als Ausgangsmaterial dienten acht prall gefüllte Bundesordner, der Nachlass des ehemaligen F+F Studenten René Friedli. Der Fundus an medial unterschiedlichstem Material diente den Studierenden als Ausgangslage für das Realisieren eigener Arbeiten. \n \nDie enstandene Zeitung ist ab dem 11. Dezember 2013 im Schaufenster der Kunstunion zu sehen. \n \nSie enthält Arbeiten von: Jasmin Beck, Silvan Buholzer, Sean Dünki, Lynn Egger, Susanne Früh, Andrea Kuster, Noi Oki, Thomas Schlup, Serafin Schlüchter, Stéphanie Seematter, Andrea Trütsch, Andrea Winterberger. Dozentinnen: Jeannine Herrmann und Anja Moers","“Jagen und Sammeln” - Hunting and Gathering - took place in spring 2013 as a joint teaching project between the Fine Arts and Visual Design HF courses. The school's internal archive was used as a hunting ground — eight bulging federal files, the estate of former F+F student René Friedli, served as source material. The wealth of material in a wide variety of media served as a starting point for the students to create their own works. \n \nThe resulting newspaper will be on display in the Kunstunion shop window from December 11, 2013. \n \nIt contains works by: Jasmin Beck, Silvan Buholzer, Sean Dünki, Lynn Egger, Susanne Früh, Andrea Kuster, Noi Oki, Thomas Schlup, Serafin Schlüchter, Stéphanie Seematter, Andrea Trütsch, Andrea Winterberger. Lecturers: Jeannine Herrmann and Anja Moers","Jagen und Sammeln",{"@id":452,"@type":687,"rdfs:label":688,"rdfs:label__de":688,"rdfs:label__en":689,"rdfs:label__fr":690,"threems:relatesTo":687},"kleio:Tag","Gruppenausstellung","Group show","Exposition de groupe",{"@id":617,"@type":687,"rdfs:label":692,"rdfs:label__de":692,"rdfs:label__en":693,"rdfs:label__fr":694,"threems:relatesTo":687},"Andere","Other","Autre",{"@id":425,"@type":687,"rdfs:label":696,"rdfs:label__de":696,"rdfs:label__en":697,"rdfs:label__fr":698,"threems:relatesTo":687},"Einzelausstellung","Solo show","Exposition 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